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An emblem is a
symbolic picture with accompanying text, of a type which developed in the
sixteenth century and enjoyed an enormous vogue for the next 200 years or
more.
By the end of the sixteenth
century, organised collections of emblems were applied to religious purposes
and used for catechism, preaching and meditation.
Mythology, the Bible but also daily
life objects constituted the sources for the symbolic pictures. The angel’s
lathe stands as a good example of such practice.
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Three Flemish
woodturners (Emiel Pelssers, Willy Magel and Hugo Wahlen) have built a replica of this emblem in oak. It sits on a floor
of 180 cm x 240 cm and the highest point is at 280 cm. |
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The story of this
emblem and of its context is written in Dutch by literary historian Prof.
Dr. Agnès Guiderdoni in the book "Hout in boeken, houten boeken en de fraaye
konst van houtdraayen" (The use of wood in books, wooden books and the
beautiful art of woodturning) which will be published in March 2008.
The
starting-point of a very special collaboration between the library of the
faculty of Theology of the Katholieke Universiteit Leuven (Belgium) and some
members of the Guild of Flemisch woodturners is an emblem printed for the
first time in Antwerp in 1627.
Indeed this
particular emblem shows a symbolic pole lathe operated by an angel
representing God's love.
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Most of the symbols depicted in the Emblem and included in the Angel's
Lathe refer to the Passion of Christ: pillar, whip, reed, cross with the
three nails. |
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The angel uses the spear that
pierced the breast of Christ on the Cross as a gouge in order to reshape
the earthly globe by turning several kinds of symbols of authority,
idleness and wealth away. Thereby the world should be more equal and the
human soul a recipient and instrument of God's love. |
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